The Internet is the people’s medium. Happy Fourth of July!

We have a custom inside our Company, which is to make one of the first orders of business for new employees a meeting to share our mission and values, those important things intended to create value for all our stakeholders. They are summarized this way: 1) a commitment to enabling the work of web publishers, 2) a dedication to providing superior service to all our customers, and 3) a desire to help change the world – we hope, for the better. The Fourth of July gives us a chance to think about all of them - especially, perhaps, the third.

Freedom of the press is a cornerstone of democracy and all of us who labor in the media space, online or off, help to preserve that cornerstone even as we may spend most of our time concerned with how to reap the financial rewards of its bounty. We take it for granted in free countries that we have the right and opportunity to publish and express our opinions, but it is always worth remembering that in substantial parts of the globe freedom of the press is a rumor.

As a device of freedom, the Internet has done more to chronicle the aspirations and interests of people than anything since the printing press. While the last age of communications including, of course the television, helped bring us more together as a world, too much in the way of devices and equipment went into those vehicles to put content development  into the hands of the people. They were – and are – walled-off from the masses as much as the monks on whom the world once relied for all its texts.

The Internet is the people’s medium and so it should remain: free, open and protected from vested interests – political and commercial – that might be fearful of its collective power. The Internet is the people’s medium and as people go it is variously washed and unwashed. Unless we deprive it of its liberty it will stay that way, as we have, as a country, for over two hundred years: washed and unwashed, enlightened and depraved, sure and unsure in the real or impossible pursuit of happiness here on earth.

No power of the press has ever stood a better chance to affect the freedom of people around the world than the Internet. It makes no endorsements. It favors no outcome. It espouses no point of view. It is unaligned. Unconstrained by boundaries it seeps between the cracks and under doors. It is free and must remain free to keep up the challenge to anyone that would try and contain it for less than the common purpose.

What interests us, describes us, and no where can we satisfy the impulses of those descriptions as much as online. The Internet gives us freedom to be ourselves. It helps people tell their own stories and the stories of others and, finally, allows us to discover the contributions of people who in ordinary and not so ordinary ways are truly changing the world.

For all of us, it is a good reason to come to work every day.

Happy Fourth of July.

There then is the origin and rise of government; namely, a mode rendered necessary by the inability of moral virtue to govern the world; here too is the design and end of government, viz. Freedom and security. And however our eyes may be dazzled with show, or our ears deceived by sound; however prejudice may warp our wills, or interest darken our understanding, the simple voice of nature and reason will say, ’tis right.

Thomas Paine, “Common Sense”, 1776

AOL joins the Internet party

Honestly, how should we react to the report by Michael Learmonth in Ad Age about AOL’s new publishing strategy on the web (“AOL Cracks Web Publishing – Sans Time Warner”). Should we laugh or cry, or stand to applaud? 

It seems that un-encumbered by the weighty media assets of Time Warner, AOL has discovered the joys of smallness online, and the ability to publish freely according to the range of human interests and emotions. Quoting from the article:

The model goes something like this: Find a vertical with an audience attractive to advertisers, brand it (Daily Finance, Asylum, Lemondrop, Politics Daily), hire five to seven people to run it and plug in AOL’s traffic fire hose. Repeat.

Sounds easy enough. But, of course, keep in mind that:

They’re the antithesis of the kind of quality standards Time Inc. and Condé Nast tout, relying largely on aggregation, blogging and traffic-goosing tricks such as provocative slide shows. But unlike the print publications trying to port their cost structure to the web, these publications can be cash-positive from the start. In fact, one could argue these sites cropping up represent today’s version of the magazine launch — after the old, splashy kind died with Portfolio

Yes, indeed, one could argue that these sort of web sites represent today’s version of the magazine launch. We might call it, in fact, new media. We might even call it the Internet.

(Hello?!)

Whatever, as the Ad Age article reports,  

The notion of thin-staffed online publications is sweeping the industry.

Sweeping the industry? Are you kidding? It is  the industry! Millions of web publishers out there, some of them online for years, producing exceptional content and making tidy livings (actually, wait, I think there was just something about that in this space last week) creating the mosaic that we call the Internet - or the World Wide Web, if you prefer. AOL President, Global Sales, Jeff Levick calls it a “Massive change” to AOL’s business model. Sure it is. And welcome to the Internet party, Jeff.

Do I sound cynical? I’m not. (Maybe a little.) Nothing could be better for the industry than having AOL – and any other leading, influential players - adopt behaviors that validate the business model that has been and is the foundation of new media: quality vertical content, produced with small batch sensibilities, by and for people who care.

Obviously, AOL is proposing to output vertical content in factory-like fashion, which is how Companies like ours will compete with them. Their version of online publishing will be a bit like Time-Life Books, which is (so) funny thinking about in the context of their desire to shed the entanglements of branded Time Warner content. But after so much Big Media building, AOL’s foray into small media is welcome – and an important sign of an industry finding itself.

Re-modeling: Steve Ballmer speaks at the Cannes Advertising Festival

MediaPost’s (very helpful) “Around the Net” wrap-up of the day’s news stories caught the report in The Guardian newspaper of Steve Ballmer’s speech at the Cannes Lions International Advertising Festival.

If there is much coverage of the speech over the next few days I imagine it is going to focus on Ballmer’s assertion that advertising revenues will not rebound. They have been reset at lower levels, he says. It’s not entirely clear from the story, but I think Ballmer is really suggesting that ad revenues are reallocating to digital, meaning that overall ad spending may rebound, but not for TV and print. He recommends that traditional media companies re-work their business models taking into account the smaller slice of the ad pie they will enjoy. Fine. We’ve said as much here talking about the need for newspapers, especially – but all media - to be more focused and relevant.

Keeping such thoughts in mind, please add to them the second key observation Ballmer makes, according to the Guardian report, as follows:

“Some say that the ad-funded model has not led to profitability. Google’s search site makes money but past Google is there a publisher with an ad-funded or fee-based model that has made lots of money? No.”

For media businesses to successfully evolve they must provide the right combination of context and relevance to make a compelling online proposition for consumers.”

It’s always interesting to me that certain Internet stake-holders will admonish traditional media to reset their business models to leaner and meaner at the same time that big and fat seems to inform their own models online. It suggests that there is a hidden, but working assumption among the would-be new media barrons that not just the money, but the model of traditional media has moved online. Frankly (plus, simply) it is why so many online publishers are stumped trying to make money, including Microsoft. They behave as if the change impacting traditional media, including leaner/meaner, is peculiar to traditional media. That’s a mistake.  The change applies to all media.

The truth is, there are plenty of web publishers online making lots of money. Lots. They just don’t look like Time Warner, or Tribune, or Microsoft. They are the right combination – as Ballmer recommends – of context and relevance, offering a compelling online proposition for consumers. But there are only two people in these companies. Or four. Maybe 10. They are small. They are focused. They are deeply suspicious of BIG. But they’ve given up their day jobs, put their kids through college, bought a boat, taken vacations and, basically, given the finger to “the suits” of the world and, for many, achieved substantial levels of job satisfaction.

Early-on, the venture capitalists and investment bankers used to scratch their heads and wonder about many of the mid-and long-tail publishers of the sort we represent at Burst. “How do they make money?” they’d ask. The real question they were asking, of course, was, “How do they make money on a par with CBS?” This is the question that has consistently led online media ventures to the edge, and over the edge. It caused the first Internet meltdown, and it keeps us feeling precariously balanced, in constant search of killer apps and formulas – something, anything to unlock buried treasures.

Steve Ballmer has the answer under his nose. It’s the same answer that made Microsoft possible when it helped topple the old main frame computer business. Big iron is the close relation of big media. And a computer on every desk and in every home is the close relation of a publisher in every garage and every basement.

The revolution that began with Windows and Apple is continuing.

Privacy comfort online

In the seat back pocket on one of the planes I was on this week was a discarded Time Magazine. Hmmm, I thought… something to look forward to after I finish reading my newspaper. I haven’t read an edition of Time Magazine in quite a while. When I finally pulled out the magazine I noted that the subscriber address printed on the bottom left of the front cover had been torn off. Interesting. Someone had finished reading through their edition of Time and desiring not to carry it any further had elected to leave it behind – appropriately sanitized for any personally identifiable information. It is, of course, exactly what I’d do. My wife, if she were there, would roll her eyes. I shred everything that comes into our house and goes back out again that has identifying marks that – I suppose- could be used to steal my identity. Many of those offers in the mail probably got there thanks to the magazine companies that re-marketed my subscription information. But, of course, throughout this week’s business trip I was passing around my credit card to strangers waiting on table at restaurants and bars, signing my name with no great concerns.

As arguments for privacy legislation continue to wend their way through Congress the santitized Time Magazine made me think how much nearer the edge of personal identification the outside media world lives and how, in comparison, online feels so much more private. There’s the irony, I suppose: that privacy online has the industry parading up and down the field in front of privacy advocates. Yet, online is not the privacy problem that disturbs me at home at night or makes me anxious about the things I leave on airplanes.

Can the Online Publishers Association learn how to share value?

The Online Publishers Association(OPA) and comScore are hitting the road with a study about the ability of display advertising to support brands online. Excellent news.

The report in Mediaweek talking about the study takes a shot at ad networks – “Perhaps not surprisingly, besides defend display ads, the report also touts the power of branded content sites (rather than say, ad networks” - but we feel fine about that and are inclined to agree that not enough networks do enough to sell the value of content online. Most of them can’t, because they don’t work transparently with their publishers, which makes it hard to extol the virtues of place and position and content quality – all the things, frankly, that attract users.

That said, the OPA remains an emblem of one of the Great Barriers to advertising progress online. As an entity, it is informed by the right instincts and sells the right things online – notably, the important value of content - but it feels it must contest the ability of anything besides the large, branded media members it represents to create that value. That is preposterous. It is like anyone contesting the wisdom of self-government. Really. If, instead, the OPA or its members - as experienced advocates - could embrace the audience engagement created by the thousands of niche publishers that, in fact, make up most of the Internet, then the OPA could do a great service, and play a larger role, as an advocate of the value of online overall – and value might, after all, see daylight online. It has a clear advantage over the IAB in this regard, which has had to pick its way through all manner of sellers and agents, many of which got rich doing end-runs around value.

You see our problem. One trade group is conflicted. The other trade group is conflicted.

It’s a pickle.

Conde Nast research tells us something we know, and something we ought to know

MediaPost reported on a study by Conde Nast and McPheters & Co. documenting that ads running on web sites with related content were 61% more likely to be recalled than ads running on web sites with unrelated content. This is not especially news, but it is always welcome news among publishers, on and offline, who invest considerable time and energy creating quality content for their audiences.

There was an interesting twist at the end of its report about the Conde Nast study, however, that MediaPost may have felt obliged to insert in the spirit of full-disclosure. I should do likewise. It’s truthfully more interesting (and bigger) than the news that the right message in the right place produces better results, which has been shown to be true since, maybe, 1517 when Martin Luther tacked his 95 Theses on the door of a church instead of a tavern. (One wonders if the Protestant Reformation would have got off the ground quite as well if patrons passing through the door were headed in for a drink instead of spiritual reflection.)

According to MediaPost, a Conde Nast study from earlier in the year (April, as I learned) revealed this about online advertising generally versus offline:

“According to data released earlier in the year by Condé Nast and McPheters & Co., nearly two-thirds — 63% — of banner ads were not seen by Web users. Respondents’ eyes “passed over” 37% of the Internet ads and “stopped” on slightly less than a third, McPheters found.

In contrast to online ads, TV and magazine ads generated a strong propensity to be seen and recalled, according to the research.

Full-page, four-color magazine ads were determined to have 83% of the value of a 30-second television commercial, while a typical Internet banner ad has 16% of the value.”

I missed that story last time. It is clearly - sadly- the most newsworthy piece in the context of Conde Nast’s research. And, rats, if you sell online advertising. One assumes Conde Nast went to market with partners McPheters & Co. (and CBS Vision) to bring back answers in defense of print and afterwards went back to the well for news to support their digital team. Well, they got it: Content matters.

Thanks. Very interesting.

Frankly, however, I’m inclined to want to pay careful attention to those results reported again at the end of today’s story. I suspect they may be more right than wrong in regard to Internet advertising, the distribution of which has appeared – and continues to appear – largely indiscriminate despite improved targeting features. Most of those features are late to the game and still devoid of consumer partnership – meaning, consumers don’t get that the messages may be targeted usefully towards them; they just see the same @$%! advertising everywhere and have conditioned themselves to ignore it.

The “content matters” question, therefore, is quite possibly more important than what it has been shown again to contribute to advertising that relies upon it. In the negative sense, advertising (and marketing) that does not offer proper context to its targets and customers may be cheating the advertising body politic as a whole.  

Interesting. This may be an acute side-effect of an Internet pumped-up on data hormones; though magazines, most of which are specialized, might also be vulnerable if they were to suddenly start mainlining data. Consider a Fortune magazine edition with no business advertising and a Parenting magazine with nothing but business advertising. The effect would probably start to chip away at the 83% value quotient that print enjoys versus the :30 spot. The rational basis for the advertising in both publications might be the consumer, but the consumer’s associations are with the media. Eliminate the associations and advertising stops being break-through in the way that data can enhance break-through. It simply breaks. It stops making sense.

Conde Nast’s research is telling us something we know. More importantly, it is telling us something we ought to know and perhaps do something about (quick).

“Rational arguments enclosed in emotional envelopes.”

Further to some of the thoughts yesterday in this space about the creative shift taking place in the advertising business and its impact on the quality of advertising up for awards at Cannes this year, is the Viewpoint from Hernan Lopez, President of .Fox Networks, in the Global Issue of Advertising Age this week. Lopez calls for a creative revolution in interactive advertising, echoing sentiments already expressed by others such as Randall Rothenberg of the IAB in the U.S.

These are all threads of the same story-line: good creative must come next in New Media. The people require it. The new generation of consumers has made the move to online and advertising must respond with messages that reflect the sophistication of the users and the environment. People are ready and waiting. Old commercials formats are drying-up creatively as attention shifts to new platforms.

Hernan Lopez leans on some of the findings of advertising veterans and researchers, Erwin Ephron and John Philip Jones, to make his points. Both have agreed in their studies over the years that the quality of the creative is the most significant contributor to the success of TV commercials. More recently, Mr. Jones distilled the ingredients of effective advertising down to “rational arguments enclosed in emotional envelopes.”

Creating emotional envelopes is the critical concept here. In a broadcast environment we do it with sight, sound and motion. Online we need to think more like we do in print and use the environment to help create the emotional envelopes.

Lopez laments that we have missed creative opportunities online given our fixation with things like click-through rates. Quite right. Our formative creative years online have been invested in action rates to the detriment of building bridges between our advertising messages and the reason people visit the web. Internet advertising has been lacking emotional context despite being surrounded by it.  

Fortunately, we are gathering ourselves around the need for creative answers. Unfortunately, the answer we are sometimes tempted to give is to make online advertising more like television by relying on video. Video feels like home, I suppose, offering emotional context to those of us in advertising business. But, consumers keep resisting this initiative by communicating through their proxies, the web publishers, that video is disruptive.

In the end, I think we’ll discover that the Internet is not a place for “commercials.” Sight, sound and motion works in the context of television because television is sight, sound and motion. The Internet, on the other hand, is about – well, come to think of it - emotional envelopes. 

We can make a strong new beginning, creatively, by tucking our messages neatly into those.

The International Advertising Festival in Cannes looms as a reminder that the advertising business isn’t what it use to be.

The International Advertising Festival in Cannes is scheduled to begin in less than a week and advertising critic and chaos theorist, Bob Garfield, is not looking forward to it judging from his column in Advertising Age today. Says he:

“They should give Crispin Porter & Bogusky every statue on Monday and send everybody to the airport. Gold. Silver. Titanium. Plutonium. Whatever.

Because first of all, apart from Burger King, the advertising year was a black hole worldwide. Besides, at this stage of Cannes’ history, what’s the point?”

The heart of advertising having gone out of the :30 second commercial, the death of creative at Cannes seems nearly final - or so it may appear. Of the 50 award front runners, reliably compiled over the years by Leo Burnett, Garfield reports that only 29 of them are TV commercials. The remainder are a mish-mash of online and offline submissions which by their nature have a hard time making us laugh or cry and, so, a hard time getting us worked-up enough to think happier thoughts about the state of advertising creative in the world today. If we are in Cannes, we will feel better going to the beach.

I’d have to go back and read it carefully again (which I’m not prepared to do just at this moment) to see if Bob Garfield spoke about progress when he launched his Chaos Scenario on the ad community. Clearly, advertising feels the rip-tide affect of significant changes that have been underway for a couple of decades. But is it chaos and disaster or progress? Can advertising reconstitute itself, creatively, in a post-film commercial world?

It can, but we must re-learn advertising creative - how to make it and how to experience it. At the moment, the un-tangling from TV commercial know-how has not been replaced with the know-how to make effective advertisements for an online and mobile world. The switch from one to the other is not automatic for any of us, creators or consumers. And, it is impossible that it would be, of course, given that big changes of the sort that have been taking place in advertising and media happen only one way: generationally, as one generation hands off to another.

The heirs-apparent of the TV generation were just getting comfortable in their corner offices when the creative protocols of New Media advertising descended on them. These were people that spent years navigating their way to those offices by dutifully absorbing the wisdom of their elders and, now, not enough of what they’d learned would pay for what they needed in a post-TV world. Worse for them - and us - finding what they needed might require asking the younger, dues-paying generation coming-up behind what they’d recommend, which old-timers everywhere are loath to do (and which the smugness of new generation-types doesn’t usually help).

One should not be surprised, then, that having to face forward and then backwards for advice and direction during their careers would make the current, transitional generation of advertising professionals feel irritable and less-fulfilled. The business ain’t what it use to be, or ought to be. As such, we won’t begrudge anyone a few trips to Cannes to wait out change on the beach. But we won’t be surprised, either, to find only 29, not-altogether-decent TV commercials and, then, a majority of other entries that we don’t fully understand, or warm to. We are leaving one art form behind while we learn another and our heart’s not completely in it.

We can’t have long to wait, however, before the ones and zeros of a digital age are making our creative motor go.  Steve Ballmer, CEO of Microsoft, is going to be named Media Person of the Year at the Cannes festival next week, an unlikely prospect even a few short years ago when Microsoft was still in the software development business.

Who is Louie Volpe?

 

Who is Louie Volpe?

Type the word “holiday” into almost any search engine and “Holidays.net” emerges as the top return on a list of results 100,000,000 to 200,000,000 long. Founder Louie Volpe has been the owner and proprietor of Holidays.net for over 15 years and in that time the web site has paid the rent, put his children through college and employed people in addition to himself. It began as a simple side-line venture to his early web development business. Today, it’s what Louie does, and he has been supported by advertisers from all over the world keen to reach people when they are planning for the holidays – something people do, yes, all over the world.

This week the IAB released the results of a study by two Harvard Business School professors showing the deep roots the Internet has sunk into the U.S. economy and the contribution it now makes to not only users, but thousands of small business people. As a Company with deep roots of our own going back to the commercial beginnings of the Internet, we can confirm that the lives of countless people, like Louie Volpe, have been supported by the growth of this remarkable media industry, thanks largely to revenues derived from advertising.

Once upon a time it was mostly a pipe dream for most of the publishers that Burst, and others, support to leave their day jobs and pursue a small business career that might be attached to their personal interests and passions. Today, many publishers have done just that, like Louie Volpe.

The IAB’s research is aimed, in part, at interest groups trying to prevail on government to regulate the Internet economy with privacy legislation that would knee-cap online advertising. The closer we get to the issues as an industry the more we realize that there is a gross misunderstanding of how online advertising works among the people setting the tone of the discussion.

Online advertising is anonymous, anonymous in the way that newspaper and cable subscriptions are not. No names. No addresses. No people at the other end that can be recognized.

Except Louie Volpe and many thousands more like him who create the rich fabric of the Internet on which people have come to depend, all over the world. These people need to be recognized by everyone in this discussion.

Here is the release announcing the IAB’s report:

WASHINGTON, D.C. (June 10, 2009) – Interactive advertising is responsible for $300 billion of economic activity in the U.S., according to a new study released today by the Interactive Advertising Bureau (IAB). The advertising-supported Internet represents 2.1% of the total U.S. gross domestic product (GDP). It directly employs more than 1.2 million Americans with above-average wages in jobs that did not exist two decades ago, and another 1.9 million people work to support those with directly Internet-related jobs. A total of 3.1 million Americans are employed thanks to the interactive ecosystem. These are the key findings of the first-ever research to analyze the economic importance, as well as the social benefits, of the Internet.

The study, commissioned by the IAB was produced by Harvard Business School professors John Deighton and John Quelch, along with Cambridge, MA-based Hamilton Consultants. The study was designed to provide an impartial and comprehensive review of the entire Internet economy and answer questions about its size, what comprises it, and the economic and social benefits Americans derive from it.

“This is the first time anyone has undertaken a comprehensive analysis of the size and scope of the Internet economy and measurement of its economic and social benefits,” said Professor Deighton, the Harold M. Brierley Professor of Business Administration at Harvard Business School, and an author of the study. “I am convinced the results of this study will prove useful for business leaders, legislators and the educational community.”

“This study underscores that the Internet ecosystem is generating an increasing level of economic activity in every corner of the nation,”said Professor Quelch, the Lincoln Filene Professor of Business Administration at Harvard Business School and a co-author of the study.

The study looks at the entire interactive marketing ecosystem, which includes:

The ad-supported Internet, narrowly defined as the content and usage supported by an estimated $23.4 billion of Internet advertising in 2008

E-commerce

E-mail, the cornerstone of lead generation and customer care for many companies

Enterprise websites, the Web sites that businesses, large and small, develop and maintain for communication.

Among some of the other important findings:

Small businesses have thrived as a result of the Internet:

• There are more than 20,000 Internet-related small businesses in the U.S. that provide a variety of services such as web hosting, ISP services, web design, publishing, and Internet-based software consulting. Many of these businesses have 10 or fewer employees.

Internet-related employment is particularly important to certain areas of the country but exists in every one of the 435 U.S. Congressional Districts. Some Congressional Districts have more than 6,000 Internet-related employees.

Interactive advertising has substantially reduced what consumers have to pay for access to the Internet and for e-commerce products and services. In addition to its financial contribution to the U.S. economy, the Internet has produced large social consequences as an infrastructure and platform, providing American society comprehensive qualitative benefits that include:

•  Universal access to an almost unlimited source of information
• Increased productivity (output per unit of capital or labor, or increased consumer utility at a lower cost)
• Innovation in business practices, consumer behavior, commerce and media
• Empowerment of entrepreneurs to start small businesses, find customers and grow
• Environmental benefits derived from saving natural resources lowering pollution through the reduced use of petroleum-based fuels and paper

“The results of this study confirm the vast influence and driving importance of the ad-supported Internet to the overall economy,” said Randall Rothenberg, President and CEO, IAB. “By understanding the total contribution of the Internet to the U.S. economy, we can more accurately assess the impact of potential legislative changes on the Internet’s operations, particularly the consequences of any actions that would alter ad-supported business models.”

The research divided the Internet ecosystem into 14 different types of companies:

• Internet service providers (ISPs)
• Hardware providers
• IT consulting and solutions companies
• Software companies
• Web hosting and content management companies
• Search engines and portals
• Content sites
• Software as a Service (SaaS)
• Ad agencies and support services
• Ad networks
• E-mail marketing and support
• Enterprise staffs and subcontractors responsible for Internet advertising, marketing and web design
• E-commerce companies, including physical delivery
• B2B e-commerce

To read the full study, please go to www.iab.net

Advertising must feel the human condition. Data doesn’t get it there.

Aldon Hynes and I are on the same page. I don’t know Mr. Hynes, but in his post in digiday:Daily discussing Stephen Baker’s talk at the digiday:Target conference in New York yesterday he is scratching his head over the possible limits of the data targeting thing online, and I know that feeling.

As reported by Hynes, two very important points got made by Stephen Baker in his address at the conference: 1) If you talk about targeting people they will feel invaded, but if you talk about customized service they will feel rich; 2) there aren’t enough agency creatives in the world to accommodate all the targeting that might derive from the availability of online data with customized messages. Ergo, advertising is left to think and act at a group level. 

The first point has especially strong ramifications: if you can whittle down to nearly me with all your targeting, then the opportunity better be a good one, made to order and fit. If you whittle down to me and the offer is, simply, come on in for a test drive, I may decide to move where you can’t find me. This places a considerable burden on marketers once they connect with a finely-tuned audience. The offers need to be customized.

Hynes turned to playwright Tom Stoppard to help make a broader point about current rage over data:

“It reminds me of a great line from the play Travesties by Tom Stoppard.  In it, a Dadaist artist has a wonderful line to the effect, “It is the responsibility of the artist to laugh, and jeer, and howl, and belch at the common delusion that infinite generates of causes can be inferred from effects.”

And he suggests:

Perhaps creatives at ad agencies need a little more Dadaism in their own work.  Instead of targeting fifty year old white males of a specific education and income level in Woodbridge, CT that own a dog, a cat, a hybrid, and have children in gifted education programs, they should target people that want to feel like they are accepted and belong to some group, people that are concerned about the economy, people with complicated emotional ties to their families, people that feel a little self-conscious when someone seems to stare at them from across the room…or so many other demographics that don’t really narrow things down very much but instead reflect the human condition.”

Of course, reflecting the human condition in enough detail to tell one shape from another has been the Internet’s most compelling media planning feature since the beginning. The Internet is ”brought to you” by the human condition.  This is true of all media (a great reason to be in the business), but offline the human condition is available in a few standard programming sizes. Online, the human condition is available in all sizes.

Aldon Hynes raises the point that the human condition is largely about sharing and belonging. By design, however, data takes people out of their groups and reconstitutes them. In the process it is hard, if not impossible, to replicate the experiences and preferences that brought audiences together in the first place - around a web site, or a blog or social group - in a way that shares the value of their human condition with the advertiser.  

J.C. Herz  made much the same point in 2001 in the Industry Standard: 

“The richness and complexity of an online experience, like the richness and complexity of a city, is created by the people who live there as they engage with the place and each other.”

Data can surround the advertising plan, but to achieve real results the advertising plan must surround the human condition.